Thursday, 31 August 2017

Fallen to Dust by Fabrice Poussin

Northern red oak (Quercus rubra) fallen leaves by Dcrjsr

A snapshot of two scores should not collapse,
corners ripped, creases and coffee stains,
willing to remain on the rusty hook,
unable to keep a horizon, blind to a future.

A grave space saw the light of day where shoulders
used to touch.  A thin mist has made a wart,
so faces look away from a previous goal
shared.  Flakes of fall leaves die on the musty floor.

It seems no magic wand can bring together what
two hands failed to protect from the morrow;
walls cold and alone squeeze in a little tighter
the worm devoured frame cracks in deep distress.

It will not be long now, for all the parts conspire,
exhausted by a journey of sparse rocks and muddy puddles;
the soiled canvas begs for a moment’s reprieve;
it tilts a little more hanging to its last inaudible breath.

Two scores and no more, kindness is the only glue,
cruelty forgiven; purity of soul in the balance
is of no weight to the vengeful heart. Thus go my friend
into the dark shadows that curdle the blood to still ice.

Your partner in old crimes will go on to capture in the folds
of the old image, a smile or two, perhaps some fear;
it is done, broken, mirror of decades full of giddy life,
among cuts of another year’s news, it lays now a corpse.


Fabrice Poussin teaches French and English at Shorter University. Author of novels and poetry, his work has appeared in Kestrel, Symposium, The Chimes, and dozens of other magazines. His photography has been published in The Front Porch Review, the San Pedro River Review and more than 250 other publications.

Thursday, 17 August 2017

Use The Force, Luke by Mark Young

He slept badly. He had visions, accompanied by horrific noises – Lawrence Welk, polka bands, or perhaps animals being strangled, being stuck, having their throats cut. It was as if he had been kidnapped off the streets, then kept in a cell with walls that expanded & contracted, & wheezed, like being in the lungs of someone with emphysema.

Then he was walking into a hall, being lead towards a large throne. There were rows of accordions on both sides of him, but segregated, keys to the left, buttons to the right. More emphysemic noise as they jeered at him. The rhythm of straps being struck on lederhosened legs.

He stood before the throne. An old concertina sat there, connected to bottles of oxygen & mineral oils. "I am the Capo del tutti accordioni," it wheezed at him through a microphone implanted in one of its pleats. "You have been found guilty of uttering threats & imprecations against La Grande Famiglia. You will be punished." The hall erupted into a cacophony of animal noises.

In the morning he awoke. He felt different, metamorphosed somehow. He tried to get out of bed, succeeded, but only by falling from it. He moved towards the mirror. It was difficult to do, felt as if he was forcing someone else to move, that he was being gripped by some thing that surrounded him with an aura of false joviality. That hovered over him & sang, "Am I blue?"

He reached the mirror. & screamed at his reflection.


Mark Young's most recent books are bricolage, from gradient books of Finland, The Chorus of the Sphinxes, from Moria Books in Chicago, & some more strange meteorites, from Meritage & i.e. Press, California / New York. A limited edition chapbook, A Few Geographies, was recently released by One Sentence Poems as the initial offering in their new range.

Friday, 11 August 2017

Hamlet 2.0 by JD DeHart

Bishop of Battle by bavatuesdays on Flickr

Alas, poor Yorick. Life really sucks right now. Insert melancholy Emoji here.

My daddy issues are piling up, and my uncle is not helping this situation at all. He can be such a drag. I just started a blog called “Mom, How Could You?” and it already has 200 hits. I don’t intentionally spread my unhappiness, but the attention really helps.

Sigh, poor Yorick. Oh, sigh.

To be, or not to be? That is the question. Who cares at this point? I can barely get Broadband in this spot, and this ghost guy keeps texting me. I’m tired of questions, and I have the ACT next week. It’s so unfair.

I am really starting to think about revenge, but it can be such hard work. Would I have to get up for that? I really like sleeping in, and a full-scale revenge plot sounds like it could take A LOT of planning. Even more strategy than my Angry Birds app.

Sigh. What would Rick from The Walking Dead do? He would go for revenge. I just can’t decide. Plus, who knows? It might end badly.

But at least I’m not the only depressed teen around here. This Ophelia girl is the most emo girl in town. It’s simultaneously boring and hot.
Should I suffer the slings and arrows of getting a haircut? Everybody expects me to get a job and do something important, but all I want to do is find myself. What is a sling anyway? Is that a new app?

I think I’ll just curl up in the castle and post something on Instagram.

Saturday, 5 August 2017

The Farmer and Toulouse Lautrec by Donal Mahoney

Portrait de Toulouse-Lautrec au boa.

Technology is wonderful, especially in medicine, Elmo told Opal, the day their son Brett called to tell them the good news. The doctor had told Brett and Debbie their first child would be a boy, according to the machine in the doctor's office.

Elmer never trusted machines other than the machines he used on the farm and Opal didn't either but they were happy to hear about their first grandchild.

"It's wonderful news," Opal told Brett over the phone. "Your father and I will have two cups of cocoa tonight. It's as cold as you probably remember growing up in North Dakota. I know that teaching at the university means you and Debbie must live in Florida but your father and I miss you."

Six months later, Brett called again to say the same machine in the Doctor's office now showed their grandson would be a dwarf. Brett and Debbie had seen the baby on the screen. But this was the first baby they had ever seen on a machine like that so they had to take the doctor's word that the boy would be a dwarf. All they could see was a tiny shape pulsating in the midst of a blur.

"Mom," Brett said, "Debbie and I don't now if we want a dwarf for a son."

Opal was stunned by the news about a dwarf grandchild and began to cry before handing the phone to her husband.

Elmo commiserated with his son as much as he could. But Elmo too was at a loss for words. Finally he mentioned to Brett, a professor with a doctorate in French art, that it was lucky doctors didn't have one of those machines before Toulouse Lautrec had been born.

Lautrec, of course, had been a dwarf and his work and his life had both been influenced greatly by his short stature. Elmo couldn't remember for certain but there may have been some deformity involved as well. That kind of thing can happen with a dwarf.

Brett's doctoral dissertation had been on the work of Lautrec. Elmo remembered seeing prints of Lautrec's work around the house and pictures and drawings of the artist as well. He found both interesting and disturbing.

Nevertheless, Elmo, a farmer in North Dakota for almost 50 years, had come to love the work of Toulouse Lautrec, having seen so much of it in books and slides when Brett was writing his dissertation. His son hadn't married Debbie yet and he had come home to finish the paper for his doctoral degree.

After finishing his conversation with Brett, Elmo hung up the phone and sighed. Then he sat down at the kitchen table and scratched his head while Opal poured two cups of strong coffee. It had been kept warm on the stove since early morning.

Finally Elmo said, "Opal, who knows what kind of boy that grandson of ours would have been. He'd have been a dwarf, yes, but Lautrec was a dwarf, and he did wonderful work. I don't know if anyone ever asked him if he would have been happier not to have lived. I know our grandson wouldn't have been able to ride any of the horses but we could have bought him a pony.”


Donal Mahoney has worked as an editor for The Chicago Sun-Times, Loyola University Press and Washington University in St. Louis. He has had work published in various publications, including The Wisconsin Review, The Kansas Quarterly, The South Carolina Review, The Christian Science Monitor, The Beloit Poetry Journal, Commonweal, The National Catholic Reporter and other magazines. Some of his online work can be found at